ONO ~ Venison Whirled ~ Baka ~ Flesh Narc ~ Sexual Jeremy ~ Ak’chamel

peak their banger record Red Summer here: https://ono1980.bandcamp.com/album/red-summer

$10 show at 9pm
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ONO (Chicago) ~ classic avant funk weirdo gospel, truly the best band in the world since 1980. the last time they played Denton is 2016 was truly off the chain. someone needs to get Chad to upload the vid of them playing an amazing cover of Heroin by the Velvet Underground at Gatsby’s Mansion.

https://monikerrecordsss.bandcamp.com/album/spooks
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Venison Whirled (Austin) ~ psychedelic noise from OG freako Lisa Cameron

https://lisacameronsisterskullrekkids.bandcamp.com/…
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Ak’chamel (Houston) ~ middle eastern inspired drone folk

https://akchamel.bandcamp.com/album/the-totemist
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Sexual Jeremy ~ harmelodic prog rockers, Jennifer Herrema told me they were Lynyrd Skynyrd. New album out soon?

https://sexyjerry.bandcamp.com/album/sex-tape
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Baka ~ beat driven minimal industrial ~ Noise-inspired Mexican Folk Retrospective artist, Sashenka Lopez, focuses on analog synth down-tempo aural collage, devastating beats, and video montage. Formerly of: Cuckoo Byrds, Orange Coax, C!TR

https://brutalknights.bandcamp.com/track/baka-live-v
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Flesh Narc ~ extreme psychedelic noise rock band.

q: Where is the next Flesh Narc show?

a: I hope this can be resolved with our shipment within 7-10 business days

https://fleshnarc.com/
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ONO bandleader P Michael Grego and frontperson travis had met before 1980, sharing a love for written and spoken word, the transcendent, and the genuine. Through continual poking and prodding, P Michael convinced travis to join him in ONO, the name coming from shortening “onomatopoeia,” and underscoring a desire to create “noise not music.” P Michael would handle the audio. travis the words. Since January 5, 1980, ONO’s roster has changed drastically, but always fiercely defended a singular construct: “The ONO STATEMENT OF PURPOSE: Experimental Performance, NOISE, and Industrial Poetry Performance Band; Exploring Gospel’s Darkest Conflicts, Tragedies and Premises.”